Epic Rock-Episode 11:Linkin Park-In the End.

“In the End” is a song by American rock band Linkin Park. It is the eighth track on their debut album, Hybrid Theory (2000), and was released as the album’s fourth and final single.

“In the End” received positive reviews by music critics, with most reviewers complimenting the song’s signature piano riff, as well as noting rapper Mike Shinoda’s vocal prominence in the song. “In the End” also achieved mainstream popularity, and was a commercial success upon release. The song reached the top ten on numerous worldwide music charts and reached number two on the US Billboard Hot 100, the band’s highest peak on the chart, as well as their first song that peaked within the top 40 in early 2002, making it a sleeper hit. It also reached number one on the Z100 top 100 songs of 2002 countdown. It ranked at number 121 in Blender magazine’s The 500 Greatest Songs Since You Were Born. In June 2021, it became the first nu metal song to surpass one billion streams on Spotify.

One thing I don’t know why
It doesn’t even matter how hard you try
Keep that in mind, I designed this rhyme
To explain in due time


All I know
Time is a valuable thing
Watch it fly by as the pendulum swings
Watch it count down to the end of the day


The clock ticks life away
It’s so unreal
Didn’t look out below
Watch the time go right out the window
Tryin’ to hold on, did-didn’t even know
I wasted it all just to watch you go
I kept everything inside and even though I tried


It all fell apart
What it meant to me will eventually
Be a memory of a time when I tried so hard
I tried so hard and got so far
But in the end it doesn’t even matter
I had to fall to lose it all


But in the end it doesn’t even matter
One thing, I don’t know why
It doesn’t even matter how hard you try
Keep that in mind, I designed this rhyme
To remind myself how I tried so hard
In spite of the way you were mockin’ me
Acting like I was part of your property


Remembering all the times you fought with me
I’m surprised it got so far
Things aren’t the way they were before
You wouldn’t even recognize me anymore
Not that you knew me back then
But it all comes back to me in the end


You kept everything inside and even though I tried
It all fell apart
What it meant to me will eventually
Be a memory of a time when I tried so hard
I tried so hard and got so far
But in the end it doesn’t even matter
I had to fall to lose it all


But in the end it doesn’t even matter
I’ve put my trust in you
Pushed as far as I can go
For all this
There’s only one thing you should know
I’ve put my trust in you
Pushed as far as I can go


For all this
There’s only one thing you should know
I tried so hard and got so far
But in the end it doesn’t even matter
I had to fall to lose it all
But in the end it doesn’t even matter

Source: Musixmatch
Songwriters: Joseph Hahn / Brad Delson / Mike Shinoda / Robert G. Bourdon / Chester Charles Bennington
In the End lyrics © Universal Music – Z Tunes Llc, Universal Music – Mgb Songs, Universal Music – Z Songs, Sony/atv Tunes Llc, Nondisclosure Agreement Music, Big Bad Mr. Hahn Music, Rob Bourdon Music, Kenji Kobayashi Music, Zomba Enterprises Inc., Big Bad Mr Hahn Music

The Revolution Will Not Be Televised

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The Revolution Will Not Be Televised” is a poem and song by Chicago born Gil Scott-Heron. Scott-Heron first recorded it for his 1970 album Small Talk at 125th and Lenox, on which he recited the lyrics, accompanied by congas and bongo drums. A re-recorded version, with a full band, was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971).

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The song is a fusion of Jazz,Funk and early Hip Hop, it has been re-released for the movie Black Panther.

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Ironically a revolution of sorts was televised, a sort of ‘revolution’ by Gil Scott-Heron’s own father Gil Heron.

Gil Heron (9 April 1922 – 27 November 2008) was a Jamaican professional footballer. He was the first black player to play for Scottish club Celtic.

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Heron was born in Kingston, Jamaica. During the second world war he joined the Canadian air force, where his footballing talents began to make a wider impression. In 1946, he signed for Detroit Wolverines, who played in the short-lived North American Professional Soccer League, which they duly won in its inaugural season, with Heron as top scorer. He was then transferred to Detroit Corinthians, who played in the larger American Soccer League.

Celtic had a history of making lengthy American tours and doing some scouting at the same time. The goalkeeper Joe Kennaway was an earlier product of this strategy. Although they did not play Detroit Corinthians on their 1951 tour, a scout learned about Heron’s prowess and was sufficiently impressed to invite him to Glasgow for pre-season trials. He made an early impression, scoring twice at a public trial at Celtic Park and was soon dubbed “the Black Arrow”. He made his debut on 18 August 1951 in a League Cup tie against Morton at Celtic Park and scored in a 2-0 victory. However, he was competing for the centre-forward role with John McPhail, a Celtic hero of the era.

By the end of the season, Heron’s star had faded and he was transferred by the club to Third Lanark, subsequently moving again to become the first black player to sign for Kidderminster Harriers.

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However, the folklore surrounding Heron’s brief football career in the UK lived on. He was a skillful player, a natty dresser and a colourful personality in an era of cloth caps and physical football. He was capped by Jamaica at football and excelled at cricket, playing for leading Glasgow clubs while resident in the city.

 

 

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