ROCKTOBER-One

In today’s edition of ROCKTOBER you get two for the price of ‘One'(see what I did there?) Starting of with Metallica’s epic song “One”

Metallica thrashed into the MTV mainstream with this nightmarish tale of a World War I soldier who steps on a landmine and wakes up to find he’s lost his arms, legs, sight, hearing and speech—left only with the torture of being trapped in his own mind.

The lyrics are largely inspired on Dalton Trumbo’s 1939 anti-war novel “Johnny Got His Gun,” and subsequent 1971 movie of the same name.

“One” was written in November 1987 by Metallica’s principal composers James Hetfield and Lars Ulrich. The song was released in 1989 as the third and final single of the album “And justice for all….” For the first 20 seconds of the song there are a series of sound effects with a battle theme, an artillery barrage and helicopter are heard and continues slightly over a clean tone guitar intro by Hetfield before Kirk Hammett comes in over the top with a clean-toned solo.

“One” was the first Metallica song for which a music video was created. The music video, directed by Bill Pope and Michael Salomon, debuted on MTV on January 20, 1989. The video, shot in Long Beach, California, is almost entirely in black and white, and features the band performing the song in a warehouse. It features dialogue and several scenes from the 1971 film adaptation of Johnny Got His Gun. Timothy Bottoms can be seen starring as Joe Bonham.

The second ‘One’ is U2’s classic hit from the album “Achtung Baby” in my opinion the last good album that U2 produced. Ironically it is the album that stopped them from breaking up.

During a Dublin show on December 31, 1989, Bono took a minute to air his band’s dirty laundry. U2 had entered the final stretch of the Lovetown Tour, launched earlier that year to help promote Rattle And Hum, and the guys were beyond exhausted. There were family issues to deal with; Bono’s wife had given birth to the couple’s first child earlier that year, and the Edge’s marriage to his high school sweetheart had started to crumble. There were creative problems, too, which had manifested themselves on Rattle And Hum and spilled over into the current tour.

“This is just the end of something for U2, and that’s why we’re playing these concerts,” Bono told the crowd during an encore performance of “Love Rescue Me.” “It’s no big deal. It’s just … we just have to go away and dream it all up again.”

Looking for some new inspiration, the guys wrapped up their tour, spent several months at home and headed to Berlin in October 1990, flying into town the day Germany officially reunited. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prompted the group to disband, they made a breakthrough with the improvised writing of the song “One”.

“At the instant we were recording it, I got a very strong sense of its power. We were all playing together in the big recording room, a huge, eerie ballroom full of ghosts of the war, and everything fell into place. It was a reassuring moment, when everyone finally went, ‘oh great, this album has started.’ It’s the reason you’re in a band – when the spirit descends upon you and you create something truly affecting. ‘One’ is an incredibly moving piece. It hits straight into the heart.”

—The Edge, on the recording of “One”

Bono recalls that “the melody, the structure, the whole thing was done in 15 minutes”. He also stated that the lyrics “just fell out of the sky, a gift”; the concept was inspired by the band members’ fracturing relationships, the German reunification, and Bono’s scepticism of the hippie idea of “oneness”. Bono later sent a note to the Dalai Lama declining an invitation to a festival called Oneness, incorporating a line from the song: “One—but not the same”. The song’s writing inspired the band and changed their outlook on the recording sessions. Mullen said the song reaffirmed the band’s “blank page approach” to recording and reassured the band that all was not lost.

“Is it getting better
Or do you feel the same?
Will it make it easier on you now?
You got someone to blameYou say one love, one life (One life)
It’s one need in the night
One love (one love), get to share it
Leaves you darling, if you don’t care for it”

“One” was released as a benefit single, with proceeds going towards AIDS research. The song topped the Irish Singles Charts, the Canadian RPM Top Singles chart and the US Billboard Album Rock Tracks and Modern Rock Tracks charts. It also peaked at number three in New Zealand, number four in Australia, number seven on the UK Singles Chart and number ten on the Billboard Hot 100. In promotion of the song, the band filmed several music videos, although they were not pleased until a third was created.

sources

https://www.bigedition.com/s/meanings-stories-pop-songs-lyrics-a727257e0a5a43c2

https://www.loudersound.com/features/the-real-story-behind-one-by-metallica

https://en.wikipedia.org/wiki/One_(Metallica_song)

Donation

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ROCKTOBER- Child in Time

As you can see I renamed October to ROCKTOBER- Throughout the month I shall be posting classic Rock songs and the stories behind them. Starting with Deep Purple’s “Child in Time”

It is the 3rd track on the a side of Deep Purple’s classic 1970 album “Deep Purple in Rock”

Deep Purple’s Ian Gillan has said that “Child in Time” is based on It’s a Beautiful Day’s psychedelic song “Bombay Calling”.

It’s a Beautiful Day in return borrowed Purple’s “Wring That Neck” and turned it into “Don and Dewey” on their second album Marrying Maiden (1970). The song started with organist Jon Lord playing “Bombay Calling”, which the band then re-arranged and changed the structure. Gillan had never heard the original song, and created lyrics about the Cold War to fit the music, later saying it “reflected the mood of the moment”. The band then worked out instrumental lines to accompany this.

With themes of war and inhumanity, the song is regarded as a heavy metal anthem and an example of art rock.

A staple of the Deep Purple live concerts in 1970–73 and later after their initial reunion tours of 1985 and 1987–88, the song was not featured regularly at concerts after 1995. It was re-added to the setlist for the band’s 2002 European tour, with its final appearance in Deep Purple’s live set was at Kharkiv’s Opera Theatre’s scene in March of that year.

A live version later appeared on the 1972 live album Made in Japan.

Ian Gillan said in an interview in 2002: “There are two sides to that song – the musical side and the lyrical side. On the musical side, there used to be this song ‘Bombay Calling’ by a band called It’s A Beautiful Day. It was fresh and original, when Jon was one day playing it on his keyboard. It sounded good, and we thought we’d play around with it, change it a bit and do something new keeping that as a base. But then, I had never heard the original ‘Bombay Calling.’ So we created this song using the Cold War as the theme, and wrote the lines ‘Sweet child in time, you’ll see the line.’ That’s how the lyrical side came in. Then, Jon had the keyboard parts ready and Ritchie had the guitar parts ready. The song basically reflected the mood of the moment, and that’s why it became so popular.”

Lars Ulrich of Metallica cites this as one of his favorite songs of all time. He says that when he was 9 years old, his father took him to a Deep Purple show, and it changed his life. “This is their most iconic moment,” he told Rolling Stone regarding the song. “I’ve heard it 92,000 times, and it never sounds anything less than great.”

I have to agree with Lars on this one.

sources

https://www.songfacts.com/facts/deep-purple/child-in-time

Donation

I am passionate about my site and I know you all like reading my blogs. I have been doing this at no cost and will continue to do so. All I ask is for a voluntary donation of $2 ,however if you are not in a position to do so I can fully understand, maybe next time then. Thanks To donate click on the credit/debit card icon of the card you will use. If you want to donate more then $2 just add a higher number in the box left from the paypal link. Many thanks

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Why I hate Metallica’s “One”

Growing up in the Netherlands there was a tradition on Good Friday. Every year on Good Friday the Dutch radio would play the ‘Top 100 of all time’, basically the greatest songs ever recorded. The majority would be rock songs.

The top 4 would always be ‘Child in Time’ by Deep Purple; ‘Stairway to Heaven’ by Led Zeppelin; ‘Bohemian Rhapsody’ by Queen, and ‘Hotel California’ by The Eagles.

I would be totally happy with these 4 songs in the top spots, sometimes the sequence of the position would change but I didn’t care about that, because they also happened to be my favourite songs of all time. I would find it difficult enough to place them in a sequence of 1 to 4.

Then Metallica decided to release the album “… And justice for all” on the album was a track called ‘One’ of 7.27 minutes long. How dared they messing up my 4 favourite songs. Immediately after I heard the song for the 1st time, all the others were put in a shadows. Decades of finding the 4 perfect songs for me, destroyed.

Recently I went for a walk, as I would do for every walk I plug in my earplugs into the phone, select the music player, and listen to the music whilst on the walk. This time however, I was nearly home when ‘One’ came up on the player. it forced me to extend my walk by 7+ minutes. 7 minutes of missing out on a lovely cup of coffee.

That, ladies and gentleman. is why I hate ‘One’ by Metallica so much. Because the song is addictive and it is impossible not to love.

Even the video is so compelling to watch. It is intercut with scenes taken from the 1971 anti-war film ‘Johnny Got His Gun’.

In this tragic, dark, anti-war movie , a patriotic young American in WW1 is rendered blind, deaf, limbless, and mute by a horrific artillery shell attack, played by Timothy Bottoms. Trapped in what’s left of his body, he desperately looks for a way to end his life.

Metallica could have taken scenes from any other war movie but no they had to choose ‘Johnny Got His Gun’ ,written and directed by Dalton Trumbo.

Dalton Trumbo, the Oscar-winning screenwriter, arguably the most talented, most famous of the blacklisted film professionals known to history as the Hollywood 10. How did Metallica know that aside from music my other passion is History? How did they know I would be compelled to research that video? In a pre internet and Google era, that was not an easy task.

I am sorry to do this to all of you but I have no choice but to end this piece with that notorious piece pf music I hate so much, and yet I love it more then any other piece of music.

It’s all about the Bass

What is a band without a Bass player?

Not much really when you think of it. Yet bass players are nearly always underrated. Most people will be able to name a list of singers, guitarists, drummers and even keyboard players when asked, but they will struggle with listing bass players.

The bass is real the base of music, it is the foundation together with the drums. The vocals, guitars and keyboard are the rest of a song., the melody that makes a song recognizable. But without a solid foundation the melody would collapse. The bass is the most important part of that foundation.

I could mention 1000s of bass players but I will limit it to a few of my favourites.

Robbie Shakespeare-Sly & Robbie

Mark King- Level 42

John Deacon-Queen

Lemmy -Motorhead(performing with Metallica)

Peter Hook-Joy Division and New Order

Tina Weymouth-Talking Heads

Suzi Quatro

Chuck Wright-Quiet Riot

John Entwistle-The Who

James Jamerson was an American bass player. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history.

Pinkpop: the death of an institute.

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PinkPop is the oldest and longest running annual dedicated pop and rock music festival in the world.

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It started in 1970 in the former mining town of Geleen in the south east of the Netherlands. It stayed there until 1986. In 1987 it moved north a bit to Baarlo and since 1988 it has been held in the town of Landgraaf.

In 2017  though it  decided to commit artistic and musical suicide by announcing that the 2017 headliner would be be Justin Bieber.

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It is sad to see this legendary institution which originated in my home town taking its own life.

Let’s just have a look back at some of the legendary bands who performed there in the past.

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RIP Pinkpop, it was good while it lasted.