History of Sorts

In 1972, Italian singer-songwriter Adriano Celentano released a song that defied linguistic norms, confused listeners, and yet became an international sensation. The song, “Prisencolinensinainciusol,” is an energetic, rhythm-driven track that sounds like English but is, in fact, complete gibberish. This bizarre yet brilliant creation was Celentano’s experiment to showcase the barriers of communication and highlight how language can sometimes be meaningless in music.

Origins of “Prisencolinensinainciusol”

Celentano, already a well-established artist in Italy by the early 1970s, had a keen interest in American music, especially rock and roll. He admired the sound and flow of the English language in music but also realized that many Italian listeners didn’t understand English lyrics. He decided to create a song that mimicked the phonetics of American English but was, in reality, devoid of meaning. His goal was to emphasize the universal power of rhythm and melody over language.

The Song and Its Composition

“Prisencolinensinainciusol” was co-written by Celentano and his wife, Claudia Mori. The song features Celentano delivering rapid-fire lyrics in a made-up language that sounds like English but isn’t. The beat is funky, the delivery is confident, and the music is heavily influenced by the rock and R&B sounds of the time. The chorus, punctuated by the phrase “all right!”, gives listeners a familiar hook to latch onto, reinforcing the illusion of comprehensible language.

Initial Reception and Legacy

Despite its unconventional nature, the song became a hit in Italy and later spread to other countries, including France, Germany, and the U.S. It resonated particularly well with radio DJs, who saw it as a fresh and intriguing novelty track. Over time, the song gained cult status and became a favorite among linguists, music enthusiasts, and even educators who use it to discuss phonetics and language perception.

Influence on Pop Culture

“Prisencolinensinainciusol” has been covered, remixed, and referenced numerous times over the years. It has appeared in films, television shows, and commercials, proving its lasting appeal. In the age of the internet, the song found a new wave of popularity, with social media users and music historians rediscovering and celebrating Celentano’s genius.

Adriano Celentano’s “Prisencolinensinainciusol” is a testament to the universal power of music. By stripping away meaning and focusing solely on sound and rhythm, the song proves that a good melody transcends language barriers. Even five decades after its release, it remains an intriguing and beloved piece of musical history, reminding us that sometimes, words aren’t necessary to make an impact.

*”Prisencolinensinainciusol” wasn’t the only hit song featuring made-up words. Although not as big a hit, Sanomi by the Belgian band Urban Trad also gained significant recognition. Written by Yves Barbieux, the song represented Belgium in the Eurovision Song Contest 2003, held in Riga. Notably, it was the first song ever performed at the contest that was not in a natural language.

Barbieux, a member of Urban Trad, crafted the lyrics in an imaginary language. The band included Verónica Codesal, Marie-Sophie Talbot, Didier Laloy, Dirk Naessens, Cédric Waterschoot, Soetkin Collier, Philip Masure, and Michel Morvan, all contributing to the song’s unique folk-inspired sound.” It came second.

Sources

https://ig.ft.com/life-of-a-song/prisencolinensinainciusol.html

https://en.wikipedia.org/wiki/Sanomi

Prisencolinensinainciusol, the Catchy Italian Pop Song That Sounded Like It Had English Lyrics, But Was Actually Gibberish (1972)