Chanson d’Automne—A Coded Message

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Chanson d’Automne (Autumn Song) is a poem by Paul Verlaine, one of the best-known in the French language. It is included in Verlaine’s first collection, Poèmes saturniens, published in 1866 (see 1866 in poetry). The poem forms part of the paysages tristes (sad landscapes) section of the collection.

In World War II lines from the poem were used to send messages to the French Resistance about the timing of the forthcoming Invasion of Normandy.

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In preparation for Operation Overlord, the BBC had signalled to the French Resistance that the opening lines of the 1866 Verlaine poem Chanson d’Automne were to indicate the start of D-Day operations. The first three lines of the poem, “Les sanglots longs / des violons / de l’automne” (“Long sobs of autumn violins”), meant that Operation Overlord was to start within two weeks.

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These words were broadcasted on 1 June 1944. The next set of lines, “Blessent mon coeur / d’une langueur / monotone” (“wound my heart with a monotonous languor”), meant that it would start within 48 hours and that the resistance should begin sabotage operations especially, on the French railroad system; these lines were broadcasted on 5 June at 23:15.

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Two men-One name-Two fates

What’s in a name? Usually not much really but sometimes it can be everything. It can even be the difference of life and death.

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In this case the name Jean Stephan, both men were members of the French resistance but their lives had completely different outcomes.

Jean Stéphan was  a French resistant born October 28, 1912 in Rennes and shot on April 13, 1942 at Mont Valérien

During  the German  occupation, he became involved in the Resistance. He joined the Secret Organization (OS) French Francs-tireurs and partisans and took part in the local organization of the National Front, he was put in charge of a sector including Neuilly-Plaisance, Noisy-le-Grand and Gagny. They carried out various acts of sabotage (fire of enemy equipment at Gonesse and Vincennes in 1941, etc.).

On March 21, 1942, he was arrested, as he left the Ville-Évrard hospital where he worked as a nurse, and discovered leaflets of Resistance.

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He was then handed over to the Gestapo and shot a few days later at Mont Valérien.
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Jean Francois Marie Stephan, born 27 December 1916.
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Another member of the French resistance ,who had been with the Parisien Police, he was stripped from his rank in the Police because of his involvement with the resistance. However he eluded capture by the Germans and Vichy authorities.

The poster above is his “wanted” posted.He was  a member of the resistance in le Maquis du Vercors

He had a very high  place in the resistance because of the position he’d held with the Police. His resistance code name was “Daniel” he is mentioned in the book “Le Soufflet de Forge”
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He survived the war and  he was re-instated to  the french police and nearly got a far as commissioner.he was stationed at 36 Quai des orfèvres in Paris .
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He lived to tell the tale,until the age of 80

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The tragic life and death of Harry Baur

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Harry Baur (12 April 1880 as Henri-Marie Baur in Montrouge, Hauts-de-Seine – 8 April 1943 in Paris) was a French actor.. Thanks to his impressive performance and his melodic voice he became one of the most important French actors of his time.

His father died in 1890 when his business was left ruined  after a break-in. His mother placed him in  a Catholic boarding school, but he ran away to Marseille.

He initially intended to become a sailor but opted for a career as actor.

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Initially a stage actor, he was described by film academic Ginette Vincendeau as “a corpulent man with a resonant voice, his stagey performance style ranged from the hammy … to the soberly moving”. Baur appeared in about 80 films between 1909 and 1942. He gave an acclaimed performance as the composer Ludwig van Beethoven in the biopic Beethoven’s Great Love (Un grand amour de Beethoven, 1936), directed by Abel Gance.

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And as Jean Valjean in Raymond Bernard’s version of Les Misérables (1934). He also acted in Victorin-Hippolyte Jasset’s silent film, Beethoven (1909), and in La voyante (1923), Sarah Bernhardt’s last film.

But Harry Baur had to bear two bad blows during the time of success, when his wife,actress Rose Grane, and his 20 year old son died in 1930.

He married actress Rika Radifé in 1936.

With the Nazi occupation of France in 1940, Baur made public pro-French statements and as punishment was forced into making films in Germany. In 1942 in Berlin he was to star in his last film “Symphone eines Lebens”

While filmimg  Baur’s Jewish wife was arrested on false charges of espionage, and when he tried to secure her release he was arrested himself and tortured by the Gestapo. He was subsequently sent to the concentration camp at Drancy, on the outskirts of Paris. In April of 1943 Baur was released but died mysteriously in Paris a few days later. His death further inflamed anti-German sentiment and his funeral was the occasion of a huge public demonstration.

 

 

Sister Maria Restituta Kafka and Sister Élise Rivet-Defiant WWII Heroes

 

Sr Maria Restituta Kafka:

Born on 1 May 1894 [at Hussowitz bei Bruenn in the Austria-Hungary Empire, today] Brno-Husovice, in modern day Czech Republic, of humble background, Helene Kafka grew up in the Austrian capital where she worked in the Lainz hospital with the Franciscan Sisters of Christian Charity. In 1914 she entered the convent and received the name Maria Restituta. From 1919 until 1942 she served in the hospital in Moedling, Vienna, where she became a surgical nurse and an anaesthetist, esteemed for her professional competence, beloved for her sensitivity and respected for her energetic character, so much that she soon earned the nickname ‘Sister Resoluta’.

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After Germany annexed Austria, the religious worked for justice and the dignity of every human being. Faced with the anti-religious suppression of the Nazis, she responded by reaffirming religious freedom and by refusing to remove the crucifixes in the hospital. She also countered Hitler’s swastika with the Cross of Christ. She also spread ‘A soldier’s song’ that spoke of democracy, peace, and a free Austria. Spied on by two ladies, she was denounced by a doctor close to the SS, who for some time sought an opportunity to distance her from the hospital

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A Viennese cannot keep her mouth shut, she said. When a new hospital wing was constructed, Kafka kept to traditional Catholic practice and hung a crucifix in every room.

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The Nazi authorities demanded that the crosses be taken down, threatening her dismissal, but she refused.The crucifixes were not removed, nor was Kafka, since the Franciscan community said that they could not replace her.

Kafka continued in her vocal criticism of the Nazi government and several years later was denounced by a doctor who strongly supported the regime. On Ash Wednesday 1942 (18 February of that year), while coming out of the operating theater, Kafka was arrested by the Gestapo and accused, not only of hanging the crucifixes, but also of having dictated a poem mocking Hitler.On 29 October 1942 she was sentenced to death by the guillotine by the Volksgerichtshof for “favouring the enemy and conspiracy to commit high treason”. The authorities offered to release her if she would leave the convent, but she refused.

When a request for clemency reached the desk of Martin Bormann, head of the Nazi Party Chancellery.

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He replied that her execution would provide “effective intimidation” for others who might want to resist the Nazis.Kafka spent the rest of her days in prison, where she was noted for caring for other prisoners. During this period, she wrote in a letter from the prison:

It does not matter how far we are separated from everything, no matter what is taken from us: the faith that we carry in our hearts is something no one can take from us. In this way we build an altar in our own hearts.

Kafa was sent to the guillotine on 30 March 1943.She was 48 years old.

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On 21 June 1998, on the occasion of Pope John Paul II’s visit to Vienna, Kafka was beatified by him. She was the first female martyr of Vienna.

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Kafka, the only Religious Sister to be formally condemned to death under the Nazi regime, was commemorated in Rome on the evening of 4 March 2013, in the Basilica of San Bartolomeo all’Isola on Tiber Island, with a liturgy of the word at which Cardinal Christoph Schönborn presided.

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During the service, the Franciscan Sisters of Christian Charity gave to basilica a small cross which Kakfa had worn on the belt of her religious habit. The relic was placed in the chapel there which remembers the martyrs of Nationalist Socialism

Élise Rivet (January 19, 1890, Draria, Algeria – March 30, 1945, Ravensbrück concentration camp, Germany) was a Roman Catholic and World War II heroine

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The daughter of a French naval officer, she joined the convent of the medical sisters of “Notre Dame de Compassion” in Lyon. In 1933 she became “Mère Marie Élisabeth de l’Eucharistie”, the convent’s Mother Superior. After the fall of the French Third Republic to Nazi Germany in World War II, she began hiding refugees from the Gestapo[citation needed] and eventually used her convent to store weapons and ammunition for the Mouvements Unis de Résistance (MUR).

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On March 24, 1944 she and her assistant were arrested by the Gestapo and taken to the prison at Fort Montluc in Lyon.

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From there she was taken to Romainville before being shipped to Ravensbrück concentration camp near Berlin, Germany. There, stripped of her religious garments, she was forced into hard labor. With the end of the War in sight, the Germans began a massive amount of killings by gas chamber, including Mother Élise, on March 30, 1945, only weeks before the war ended. Rivet volunteered to go to the gas chamber  in place of a mother only weeks before Germany surrendered unconditionally.[She was 55 years old.

In 1961, the government of France honored her with her portrait on a postage stamp and a street bearing her name in Brignais (Lyon) was inaugurated on December 2, 1979.

 

In 1997, she was posthumously awarded the Médaille des Justes and in 1999 the “Salle Élise Rivet” was named for her at the Institut des Sciences de l’Homme in Lyon.

 

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Marcel Marceau-Silent WWII Hero

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He was born Marcel Mangel in Strasbourg, France to a Jewish family. His parents were Ann Werzberg and Charles Mangel, a kosher butcher. When Marcel was four years old, the family moved to Lille, but they later returned to Strasbourg. When France entered World War II, Marcel, 16, fled with his family to Limoges. In 1944 Marcel’s father was captured and deported to the notorious Auschwitz concentration camp, where he was killed. Marcel’s mother survived.

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In 1939 the Jews of Strasbourg, France, where Marceau’s family lived, were given two hours to pack their belongings for transport to the southwest of France. Marcel, who was fifteen at that time, fled with his older brother Alain to Limoges.Desiring to become a painter, Marcel enrolled in art school, and within two years, with his brother, he had also joined the French Resistance.

 

Recognizing his artistic talents, the Resistance soon had Marcel making forged identity papers for Jews to help them avoid the camps.Marcel changed the ages on the identity cards of scores of French youths, both Jews and Gentiles.

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He wanted to make them appear to be too young to be sent away to labor camps or, in the case of the non-Jewish children, to be sent to work in German factories for the German army. Marceau also adopted different poses, including that of a Boy Scout leader, when he put his life at risk to smuggle Jewish children and the children of underground members across the border into Switzerland.

In 1944, while a member of the Resistance in Paris, Marceau was hidden by a cousin. He was convinced that if Marceau survived the war, he would make an important contribution to the theater. Marceau’s father, a butcher, died in Auschwitz. “If I cry for my father,” said Marceau, “I have to cry for the millions of people who died. “I have to bring hope to people,” Marceau remembered thinking after the war. He had planned to become an artist, but instead decided that he wanted to “make theater without speaking.” He began to study under the great master of mime Etienne Decroux. In 1947 Marceau created Bip, the clown in the striped jersey and battered opera hat, who has become his alter ego.

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Marcel Marceau became the eleventh recipient of the Wallenberg Medal on April 30, 2001.

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The Wallenberg Medal of the University of Michigan is awarded to outstanding humanitarians whose actions on behalf of the defenseless and oppressed reflect the heroic commitment and sacrifice of Raoul Wallenberg, the Swedish diplomat who rescued tens of thousands of Jews in Budapest during the closing months of World War II.

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Marcel Marceau died at the racetrack in Cahors, France, on 22 September 2007 at the age of 84. At his burial ceremony, the second movement of Mozart’s Piano Concerto No. 21 (which Marceau long used as an accompaniment for an elegant mime routine) was played, as was the sarabande of Bach’s Cello Suite No. 5. Marcel Marceau was interred in the Père Lachaise Cemetery in Paris.In 1999 New York City declared 18 March “Marcel Marceau Day”

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